بیوگرافی:
M P
Mohammad "Max" Pazhutan (born 25 November 1974), also known as M P, is an Iranian composer and musician. Among his best-known works are Palindromic Frequencies And Process Variations, Synthphony No.1, Magnetar, The Quartz Vortex, Earthlight, L'oracle du Soleil, and Digital Recreations. Pazhutan composed suites, synthesized-symphonies and other electronic music pieces, a variety of instrumental works, sound installation settings of art galleries, as well as computational works.
Born in Tehran, Pazhutan is an autodidact composer and musician. In parallel with his activities as a composer, Pazhutan became one of the most prolific instructors of his generation of electronic and computer musicians.
He is known for his unorthodox, systematic organization of sounds and its tangents with literature and philosophy, and for his pioneering work in sound installation art.
Pazhutan's initial exposure to music came in the first five years of his life when he was surrounded by his older brother and sister listening to various kinds of music. In 1984, he was exposed to a Casio PT80, his first electronic musical instrument.
Beginning in the mid-2000s, Pazhutan's composing style changed, with his first computer music piece focusing on the palindromic frequencies instead of regular pitches. His synthesized work Differential was written in 2008. His "Aryabhatia: Trigonometric Meditations", "Tai Yi Jin Hua Zong Zhi" and "The Tower of Hanoi" and the computational work "Palindromic Frequencies And Process Variations" have received critical acclaim.
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v H+
Honey Haq (Persian: هانی حق; born 1983 ), also known as v H+ is a sound artist, a researcher of arts, philosophy and science, and a composer.
Her interest in composition is rooted predominantly in modern and contemporary music, most notably John Cage. She is also an avid aficionado of Miles Davis and John Coltrane’s definition of jazz. vH+ believes that technology eventually decreases the size of the gap between utopia and reality. She looks at sound art phenomenologically, and in her compositions, she avoids unnecessary ornaments and is longing for the truth of sound objects.
v H+ was interested in unusual sounds since her childhood. She was also an avid fan of music, waking up at 2:00 AM just to listen to a Dvorak ninth Symphony, which was used for an overnight TV program. Became interested in music, as an extension of all sounds. She started to play with the radio, which she sees as her first electronic musical instrument.
She was interested in singing but started to play music with harmonica, then nylon string guitar before she discovered that her favorite espressivo instruments are electrophones and computational sound generators. A mezzo-soprano, she studied and explores vocal techniques.
In 2018, v H+ performed her "Etherwave and Brainwaves", a composition created with human brain waves and superimposed Etherwave improvisation in the highly acclaimed MUTEK festival.
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M P | v H+ Computational Sound Art Projects
In 2009, while focused on installation art and computer music, Max "MP" Pazhutan and Honey "vH+" Haq, launched "M P | v H+ Computational Sound Art Projects" to create works that are profoundly technology-oriented and comprising open source coding systems, visual programming languages and self-developed software synthesizers, to be presented in art galleries and open urban spaces.
In 2017 they were residents of McGill University Campus Radio for the presentation of their "Listenable Math" concept and their musical works as a series of radio programs entitled "Welcome To Our Lab" ckut.ca
In 2018, They hosted a conference called "Social Synthesizers" with Ricardo Del Farra (Composer), and André Eric Létourneau (Synthesist) in Laser Hexagram, Montreal.
M P | v H+ performed several live coding concerts, including the Montreal's Toplap-hosted Signes-vitaux. These performances include fusion works of computer coded music with Jazz, techno music, and Casiocore music.
In 2019, Concordia University invited them for collaboration with CLOrk (Concordia Electroacoustic Departments Cybernetic Orchestra, Concordia Laptop Orchestra) to perform some of their compositions (Live Coding and Etherwave) as well as a couple of interpretations of compositions from Milton Babbitt and Iannis Xenakis. M P | v H+ developed a method using Wireless MIDI protocol to set up a virtual conductor for the 25 piece computer orchestra, and also performed with them.
M P | v H+ Projects has subsets. Each subset is dedicated to a specific musical endeavor. Among their various projects, The Quark Model, Twarc Pyroelectric, Cy-Ens, and sin(thesis), are the most essential ones:
- The Quark Model
Together, they initiated the project "The Quark Model" to produce deep-tech works for fashion events and clubs. The Quark Model's tracks usually have synthesizers layered in a way as an analogy of the science of quarks. For example, instead of having a "bass" line, a "drum" line and "arpeggiations", they compose their music with "Top", "Bottom", "Charm, "Strange", "Up" and "Down" concept. With this analogy, they design the sounds using diverse synthesis techniques and programming methods. Mostly dominant components of these compositions are divisible by four, while other layers explore a healthy dose of irregularity precisely superimposed over the highly solid rhythmic structure.
- Cy-Ens
M P and v H+ established their "Cybernetic Ensemble" aka "Cy-Ens" to categorize some of their works that were suitable for concert performance and sometimes needed a larger group of participants. In Cy-Ens, the music is made with computer programming languages and various digital technologies such as game consoles and tablet computers.
- sin(thesis)
As longtime admirers of highly formalized electronic music, M P and v H+ wanted to reinterpret and perform some of their favorite masterworks from the twentieth century and contemporary composers, using their own innovative methods. They founded yet another project called "sin(thesis)". sin(thesis) came to life with the passion of technical and detailed deconstruction of "la musique savante" using innovative computational methods. Therefore computer programming languages are an integral part of sin(thesis) music. sin(thesis) tries to understand and explore the possibility of having a solid repertoire for computer as a musical instrument.
MUSIC PROJECTS M P | v H+ Computational Sound Art Projects
Compositions of M P pazhutan
Compositions of v H+ wind8
Pazhutan Audio Lab pazhutanaudiolab
"Cybernetic-Ensemble" aka "Cy-Ens" Cy-Ens
"sin(thesis)": the computational interpretation of 20th Century Masterworks sin-thesis
"Twarc Pyroelectric": The analog sysnthesis at the core supported by a digital orchestra twarc-pyroelectric
The Quark Model: Minimal techno created with 20th century harmony and computer programming techniques the-quark-model
RELEASED WORKS ON OZKY E-SOUND
Solipsism, Movement 2, 2014 Version: Concert Suite For Computer Ensemble No.4
https://archive.org/details/oz088
Montée et Descente by M P | v H+
please find no. 34 on this list:
http://www.ozkyesound.altervista.org/oz100.html
WORKS FOR GLOBAL HEALTH INCUBATOR
MUSIC FOR THE WORLD TUBERCULOSIS DAY
2013. Mohammad Pazhutan, 19:00
http://www.stazioneditopolo.it/24h-2013/
2014. Honey Haq Pazhutan, 17:00
http://www.stazioneditopolo.it/24h-2014/
2015. M P | v H+ Computational Sound Art Projects, 17:30